DAVID DETRICH - SCULPTURE
Originally from East St. Louis, Illinois, David Detrich received his Bachelor of Fine Arts degree from the Kansas City Art Institute in Missouri and his Master of Fine Arts degree from Alfred University in New York. His teachers included Ken Fergerson, Dale Eldred, Jim Leedy, Tony Hepburn and Wanye Higby. He has exhibited his sculptural works nationally and internationally including venues at the Tallina Kunstiulikool in Tallin, Estonia and at the American Cultural Center in Taipei, Taiwan. His work is also represented in public and private collections nationally. Outside of the field of art he has consulted with the United Nations Industrial Development Organization (UNIDO) through the Government of Jamaica and was involved in several architectural collaborations with architect Robert Miller, namely with Nexus Press in Atlanta, Georgia and The Child Welfare Institute also in Atlanta. Before his academic appointment at Clemson University he served on the faculties at Wichita State University in Kansas and at Alfred University. David is presently a Professor of Fine Art and head of the Sculpture area in the Department of Art where he has been teaching since 1992. 
biography
statement
“From Hegel’s Theory of the Dialectic to evening TV sitcoms I have always been a sucker for irony and paradox. I identify most with a definition I found in one of my old dictionaries of the term “artist” as being a trickster that employs slight of hand. My work involves manipulating recognizable and familiar elements of geometric form, language/text, "art about art" and the socio-political in an open dialogue of opposition. I feel my work is most successful when it poses a question rather than presenting an editorial on a subject. I also contend that “style and consistency” are antithetical to the creative process. I am very curious about the potential of art making that can exist by recognizing a seemingly incongruous palette of concepts and contexts. The end accumulation may appear to be disparate but hopefully this approach has the capacity to represent a broader sense of who I am and how I reflect upon our current condition”.

My current project involves coring through art periodicals with the intent to obscure the distinctions between the fashion industry and the art world. The periodical ArtForum is a "container" of such dichotomies. I've constructed a tool that cores through the magazine rendering an indiscriminate sampling of its contents. By reconfiguring (displacing) the "samples" I develop new meaning through image intersections. The art/fashion paradigm is thus blurred. I propose that these constructions, which currently serve as models, become billboards or digital projections that adorn the facades of high-end fashion industry retail outlets.
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